Sunday, February 25, 2024

The Buzzard's Roost

 A few years back I had the privilege of covering the Greater Hilltop Groundhog Lasagna Festival. Through a combination of coordinated misinformation and a latent lack of interest this event is no more. The stalwart residents of the Hilltop have reverted to alcoholism, spousal abuse and amateur auto mechanics for their mid-winter festivities. The community has absorbed this blow and the groundhogs of Westgate Park are relieved. I should offer some small clarification. The official name of the festival was indeed the Groundhog Lasagna Festival, not the Groundhog Day Lasagna Festival. While this may imply that the festival featured actual ground-groundhog lasagna, we can not say with certainty that this was the case. Some of it did taste like chicken though...

 The 1993 film Groundhog Day certainly placed February 2 back in the public mind, but with a generation's passing I suspect that it has relapsed to the status of a holiday which is noted on our calendars while going uncelebrated. This is certainly now true in the Hilltop. Whenever I am prompted to think upon Groundhog Day I recall my introduction to this tradition as a child. I remember... feelings of confusion. My juvenile mind was incapable of peeling the layers off of that onion, yet even then there was this uneasy sense that something was amiss. So when he sees his shadow it's back into his hole and there will be six more weeks of winter? And if he does not see his shadow there will be an early spring? After straightening out whether it was one way or the other the tale was accepted without further question. Sadly there are many traditions that are perpetuated in this manner.

As adults, when we've nothing better to do with our time, we are able to apply the discipline of mathematics to Groundhog Day. 

Six weeks = 42 days

2 + 42 = 44

44-28 = 16

Following this formula we can determine the calendar date of March 16 to be six weeks post Groundhog Day. We are confronted with two issues right away.

First of all, I think that it is safe to say there is a general consensus that the vernal equinox arrives on March 21. March 16 falls five days short of the mark. So is that the early Spring? Have we got it backwards, or is there something else we've missed?Secondly, what about leap year? This is where it starts to get interesting.

When one factors in that additional February day we then arrive at March 15. Yet another day shy of an astronomically calibrated arrival of Spring. There is some historical significance in that date: the ides of March. Of course that is from a time when we still operated on the ten month calendar, so probably best not to muddy the waters. This date is still notable. No, it's not for some obscure Feast of Saint Something-or-other. Patrick, with all the debauchery that entails, has the March Saint calendar pretty well locked up. March 15 is a herald of something less saintly and, dare I say, more sinister in nature. For a little over 200 years now the great, black flocks of the homely, unwanted turkey vulture have reliably returned to the bluffs above Hinckley Lake; a place that is today known as The Buzzard's Roost.

On March 15 they say that "the buzzards return to Hinckley". Every year. Even on leap years. The accuracy and consistency of these carrion feasting scavengers is uncanny. The groundhog's prognostication is not for the start of spring. That is only a happy accident. Just as John the Baptist went before his Master, the humble rodent known as groundhog blazes the path for the ghoulish Buzzards of Hinckley and their annual return. The groundhog is no doubt the beneficiary of a good press agent, but let's be fair. How does one pitch the turkey vulture? Let's see.... Buzzard, versus Turkey Vulture. Which one sounds better? No? Which one is less off-putting? See what I mean? Interests and hobbies? Oh yeah, they eat dead stuff. Really not choosy, just so long as it's dead. No refrigeration required.

Perhaps we have, only on account of the buzzard's gruesome face, misjudged the character of this creature. Though they are equipped with fearsome beaks and talons, easily rivaling those of hawks or ospreys, the buzzard has voluntarily elected to not kill their own food. It's a moral stance, kind of like being a vegan. Any self respecting carnivore knows that the whole flesh eating experience can only be fully appreciated by killing one's own prey before dining. Otherwise it's just hamburger, some pre-packaged patty drawn from the inexhaustible supply of your local refrigerated & frozen food warehouse. The buzzards committing this act of self denial would suggest that they may be more like us than we know. Just as we have come to trust the safety of city water to some nameless municipal employees at the local wastewater treatment plant, the buzzard has come to accept that the carrion feast is derived from a righteous kill and is thus safe to eat.

We must then ask ourselves if the precision timing of their annual return to Hinckley is mere instinct, or is it the execution of a conscious plan? There are other questions we should be asking. Where have the buzzards been all that time? What have they been doing? Are they in league with the groundhog? Did they all leave at once and when? And finally, do they also always depart on the same day? Seems like someone would have been keeping track of this.

The groundhog's behavior predicted either an early spring, or a spring more or less on schedule. His has been a happy task and he has, if not happily, at least played along for our amusement. Frankly it's a pretty low bar that he has been asked to reach. The groundhog is only asked to offer his prediction for the start of one season. It is one way or the other with no great consequence to anyone in either case. There is no pressure to be right the rest of the year. Other than at Groundhog Day every year no one really gives a shit what groundhogs think about anything. 

What then is the significance of Buzzard Day? What is to be predicted by their arrival, on time, every year? Though they were never asked, the buzzards carry a more weighty burden. Just as the rainbow serves as the symbol of a happy promise, so too does the annual arrival at the Buzzard's Roost every March 15 act as a concrete reminder. It tells us that for at least the last couple hundred years, in good times and in bad, no matter what the circumstances: there will always be enough dead to eat. That message, while it does not carry the optimism or hope found in the groundhog's tale, is in fact more instructive as to our own condition, the general state of things and, the vast grey area where these two fields are conjoined. It is in that temporal plain the buzzard's tale resides and is made manifest.

We have been conditioned to abhor slaughter, even when our most base instincts tell us that letting it happen will reap a net benefit.  As a species we have been mostly softened by civilization. By and large this has spawned a population that no longer has the stomach for the kind of cruel yet impartial judgments rendered by nature. Unable to deny these things we have opted to simply ignore them, inasmuch as we are able. Failing this most will simply resort to outright denial; to simply pretend that these phenomena do not occur. Whether by fire, flood, invasive species or random mutation slaughter occurs with a certain regularity in nature. In all of it's various forms there is a common element. There is the slaughter, and then there is the aftermath. This social conditioning against it is less of a moral objection than it is an underlying aversion to the gruesome task of all that clean up. This, my friends, is the meat of the buzzard's tale.

Every year, in times good or ill, there is always enough dead to eat. The buzzard cleans all of the carrion. Whatever they are unable to take from the bones the flies easily finish off. This prevents widespread putrefaction and the number of diseases and plagues thereby associated. Hurray! Makes you want to adopt one now, don't it? The buzzards will digest all that rancid meat, thus filtering those toxins from our environment, and shit it out in a sterile form at a secure, undisclosed location. The buzzard looks for no thanks, expects no considerations for these services rendered. It's just a job they do. A job that might easily go unfilled, were it not for the buzzard's unique digestive characteristics. Thus has nature ordained it.

The deeper message to be found here, if indeed there be any, is that the buzzards' continued and precise return to Hinckley signals to us that no matter how badly we manage to louse things up, there will always be someone along after to clean up the mess. They're not much to look at, the job they do is not glamorous, but they show up and complete the task nonetheless. This is how it is for those thankless tasks; the distasteful yet necessary. How easily this translates to human vocations in society. The buzzard's tale is only noteworthy in the event that they should ever stop showing up. If that should ever happen it would indicate that either there are no more dead to be eaten, or that there are so many dead as to simply be beyond their capacity. Neither case is good, I assure you.


"A dying man needs to die, as a sleepy man needs to sleep, and there comes a time when it is wrong, as well as useless, to resist."   Stewart Alsop





Saturday, February 10, 2024

Tugboat



I don't wanna stay at your party

I don't wanna talk with your friends

I don't wanna vote for your president

I just wanna be your tugboat captain





 
The song Tugboat is Dean Wareham's homage to Sterling Morrison, guitarist for the iconic band The Velvet Underground. Wareham, by his own admission, was heavily influenced by the band and by Morrison specifically, but the song is not a tribute to Morrison's career with the Underground. It is instead a reverent honorary to Morrison's second vocation, working on tugboats at the Port of Houston. That gig lasted from 1971 until his illness and ultimate demise in 1995.  Some no doubt ask, why should this be so celebrated in song? 

I will attempt to answer this, with the stipulation that only Dean Wareham can speak to the truth of it.
Sterling Morrison's life post Underground was quite simply just that and nothing more. It was his life and it was of his own choosing. 

Fans and music critics, Andy Warhol and the whole New York Art crowd, all the hangers on, grifters and tweakers all took that meteoric ride with The Velvet Underground from 1967 to 1971. Lou Reed and John Cale both went on to have legendary careers in their own right  Not widely known, yet widely known within a certain set. Musically the band would easily continue to hold a profound influence on rock music as an art form for decades to follow. All of this clout with little more than five years in total and a catalogue of only three or four albums. 

All of that is very impressive. If you are wired to that part of the world that is sometimes referred to as "polite society" or "civilization". Within that context these things actually matter. In truth none of it makes a bollocks bit of difference and Holmes Sterling Morrison understood this. On a late August day in 1971 he made his break from his past life. He left his band mates at a Houston airport, suitcases stuffed with phone directories as a prop. His original plan was to attend University of Texas. There is no indication from anyone that it was his plan at that moment in time to completely bail on polite society and spend the next quarter century riding tugs about the Port of Houston. But that is in fact what happened. 

Even though we are talking about a time period that is multiplied by a factor of four, we are generally led to accept the notion that those six years spent with The Velvet Underground are to outweigh the value of a life fourfold. When it is so spelled out one is confronted with the utter absurdity of this idea.  What is honored in the song Tugboat is Morrison's lifelong act of civil disobedience; a practiced mind over matter mentality. Cale and Reed are both deservedly weighted with accolades to their respective genius. Morrison figured out how to live a simple life with a roof over his head, food on the table and a good woman at his side. All that without the world knowing all of his business. Who was the real genius? Perhaps H.Sterling Morrison's true genius was that he wasn't overtaken by the need to constantly have his genius affirmed by others. Wareham's admiration is not misplaced.

Songs will very often take on a meaning to listeners that is far afield of the artist's original intent. Such are the risks inherent in any art. Each of us as individuals will experience different meanings in a song at different times in our lives. Speaking from my own personal experience I present a prime example. The Pretenders released My City was gone as a B-side to Back on the chain gang in the fall of 1982. Like Chrissie Hynde, I am also a Buckeye native. I was at that time returning to Ohio after having been working out of state for several years. The song was entirely relatable to me, in terms of where I was in life, where Ohio did/did not figure in that equation, and her observations were true. I could never have imagined at the time that the song would become immortalized as the opening theme music of a controversial radio program. There's thirty plus years of royalties paid, I should  think!

I find today that Tugboat is something that has become thematic to me. There is an elemental quality to the broader meaning of it. It can go unseen and yet intuitively it remains undeniable. Thus do I open the page with those words.

I don't wanna stay at your party

I don't want to belong to a party. I don't want to be part of any clubs or civic associations. I don't want to belong to a church. I don't want to live my life in debt. I don't want my every move measured by a scale that was made by others. I don't believe my blood is owed to pay for another's treasure. All of your institutions are meaningless, hollow shells of themselves. Your shining city on a hill is a decrepit wreck caught in a mudslide

I don't wanna talk with your friends

There is nothing left to talk about. Everything has been talked to death. All of your catalogue of isms has been presented. I reject them all. I'm alright Jack. You do you. I've heard every line of shit ever conceived and if you think your's is something new you are sorely mistaken. I don't want to hear about your solutions. I don't want to hear about your problems either. Most problems are created. By people trying to sell solutions. I don't want to be sold on anything. Save your breath. Whatever it is I'm not buying. I'll be polite only as long as I have to. That increment of time shrinks with each passing day.

I don't wanna vote for your president

Your campaigns mean nothing. I know it helps you to feel better to believe that. I also know that it is better that a man believe nothing than to believe that which is false. All of history is littered with tales of single men who come as saviors. They end up dead or as despots. I owe allegiance to no one simply by the accident of my birth. I bow to no lords or kings.

I just wanna be your tugboat captain

I don't need your validation. I determine what has worth to me. I associate with whomsoever I choose. I likewise do not associate with whomsoever I choose. In either case that is my business and my business alone. My business is my business and none who are not party to my business have any rights to interfere with my business. I can take care of myself . I am able to help care for others. I, and only I, will decide who those others might be. Form your own economy. Form your own currency. The only people telling you that you can't are the people who benefit from things as they are. I will navigate these troubled waters to a safer shore.





Seven for a secret

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