That town's not a number, it's simply gone numb
They'll finish you off there before you've begun
It is Sunday morning. Well, it is here. It's whatever time it is where you are, and we hope that your day/night is going well. Seems like a good time to dive into the vault...
Today we travel back to 1987. Not literally, of course, but... if only we could. I have invoked Thomas Wolfe's title because it dovetails nicely with the message Verlaine is sending with the song A Town Called Walker. It's the same message, just with a different flavor.
Some in our audience may be familiar with Tom Verlaine and his work. I suspect that many of you may not be. 1987 was a year that saw a veritable plethora of film and music releases. Not all of it was good, in fact much of it was dreadful, but at least there were a lot of choices available. Among these was Verlaine's Flashlight LP, a release that was sadly lost within that great volume of material. Released a decade after Verlaine's debut with the band Television (1977's Marquee Moon), Flashlight garnered little commercial success or critical acclaim. Others are free to argue the contrary, but it is often true that popularity and critical approval have no bearing at all on artistic merit.
As the front man for Television, Verlaine solidly established his bona fides within the burgeoning music scene of late '70s New York. There was a legacy forged there by The Velvet Underground, and later Lou Reed as a solo artist. The family of artists to carry that tradition forward, were among others, Talking Heads, Patti Smith, Blondie and Television. They were considered the darlings of CBGB, the club that was the hub for the punk scene of the time.
Television distinguished themselves in this environment with their punk inspired energy, while demonstrating an artistry atypical of the genre. Lyrically they were literate and prosaic. They were a unique sort of art-punk; not the quirky, rhythm driven variety as Talking Heads, but something all it's own. Both of these qualities were driven by Tom Verlaine. With their 1977 debut, the band received much critical acclaim and the admiration of their peers. They followed with a disappointing sophomore release in 1978, then proceeded to disband. Verlaine's solo career that followed was sporadic; thus, he never became a household name. He nevertheless continued to hold a widely respected status from fellow guitarists.
I once owned a copy of the album, on a cassette tape I picked up out of a bargain bin, only about a year after it's release. At the time I recognized the name, and almost wondered aloud, "what has Mr. Verlaine been doing since Marquee Moon?" At that moment in time, I had to honestly say that I had no idea. So, for the paltry sum of $3.99 or thereabouts, I decided there was no harm in checking it out. I ended up doing, as I've often done, playing it to death for a while. Then losing it into a pile of forgotten media. And dust.
There were three or four songs from Flashlight that I had particularly liked, A Town Called Walker being the foremost of those. I would recommend that you find the album, by whatever medium, and give it a listen. Other tracks to recommend are Annie's Telling Me and the almost bluesy, At 4:00 AM. The album bears Verlaine's distinct vocal and guitar signature in every note. If you are someone who appreciated Marquee Moon, I could not imagine not liking this album. If it is new to you, let us know what you think.
When I learned of Tom's passing a few years ago, I went back and revisited Flashlight for the first time in a number of years. As it had years ago, this particular song, A Town Called Walker, stood out from the others. Well, the long-term consequence of this is that the song now shows up in playlist rotation. You know, the friendly algorithm at work. And listening to it with greater attention, for reasons I do not understand, I gained what is perhaps a deeper understanding of the story related in the song.
The song opens:
Janey's going back to Walker, says folks
There are happy bees. I said you remember Walker
You lookin for some misery? It's not their
Tricks that I mind... it's just the way they say
"we" all the time.
That town's not a number, it's simply gone numb.
They'll finish you off there before you've begun.
I don't know who Janey is. Maybe a sister, maybe an ex. Maybe an old classmate. She says that she is going back to Walker and paints a happy face on it. "Folks there are happy bees". The party that replies has a familiarity with the place. "...you remember Walker. You lookin' for some misery?" It's like he is saying, "Happy bees!? Are we talking about the same place?"
Now, if this was purely a case of friendly advice, the person might have said something like, "Gee, Janey. Are you sure going back to Walker is a good idea? Let's talk about it." Instead, this person cites a memory of misery. Maybe it's the kind of friendly advice that is more urgent. You know. More like, "What the fuck is wrong with you!"
"You can't go home again", as an idea, is thoroughly explored in Thomas Wolfe's work. It's a gentle admonition. It's a piece of advice offered to someone who maybe doesn't want to hear it but needs to. It's a polite way of telling someone that they are looking for something that just isn't there. From the book: "Make your mistakes, take your chances, look silly, but keep on going. Don't freeze up." We know what happens to George Webber at Libya Hill. Are Janey's circumstances with the town of Walker really so different? Her friend seems to think so.
People such as I, who grew up in a rural setting, may be asked where we are from. Typically, the response given will be to reference the nearest town, even if one did not actually live in the town. In these cases that town is usually a small town. A place, I suspect, that is rather like Walker. In the song, Janey's friend offers his short and somewhat biting critique of the town. It makes me want to say that I am from Walker, and in a sense, I suppose I am.
Small towns have their charm, but with that they also have their baggage. "It's not their tricks that I mind...it's just the way they say "we" all the time". The scolds. You know the type. "Well, here in Walker WE don't approve of that sort of thing!", or "WE won't put up with that!" There are the Karens who all seem to think that they are empowered to speak on behalf of everyone: WE. Sometimes it's just some grump. Sometimes it's the nosey bitch with a liberal arts degree from fifty years ago who still thinks she knows everything.
Folks there in Walker they've got their fun.
They'll count you out there before you've begun.
Expecting exciting and new lights to be shining
On anyone who can find someone else there to blame,
Folks there in Walker are falling in love with their
Shame.
Walker is the kind of place where accomplishment is resented rather than rewarded. It's the kind of place pervaded by a "drink culture". Nobody there cares about your honor student, but did you hear? Lonnie just got his first DUI! These are people wallowing in so much shame that they can not help but project this onto others. Folks there in Walker are falling in love with their shame.
If home is a time and place captured in warm, fuzzy memories, then no. You can't go home again. That part of "home" no longer exists and can only be recreated in your own mind. There are, however, those parts of home that still exist. Especially if you are from Walker. They are there to remind you why you left in the first place.